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A Project too Far? - British Paras for Bolt Action

A Project too Far? - British Paras for Bolt Action

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Para paint schemes - Denisons and all!

Tutoring 19
Skill 17
Idea 18
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The Uniform

Miniatures sorted, the next step is perhaps the most daunting…the painting! I recommend spending some time before hand researching your chosen Division’s uniform and looking at a few photos and illustrations. Anything by Osprey is a great starting point.

A great illustration of the uniform by Graham Turner - handy reference material!A great illustration of the uniform by Graham Turner - handy reference material!

Some parts of the models, especially the equipment, are so fine in detail that it’s hard to tell what everything is. Luckily the above illustration, found in Osprey’s British Paratrooper 1940-45 , helped to identify some of the more obscure itemsThis is obviously essential, as we need to know what we are painting!

Here’s the accompanying paragraph of text breaking down each piece of equipment…

When the Para jumped he carried as much equipment with him as possible, as resupply or coming across equipment containers could not be guaranteed. On his person he carried some equipment and weapons that were the same as those for the rest of the British Army, such as the ’37 pattern webbing (1). Other items, such as the Fairbairn-Sykes dagger (2), were carried by more specialized units such as the Commandos and SAS. The Para carried the dagger in a special pocket in the parachutist’s battledress trousers, designed to allow him access to cut himself free if he became caught on items such as trees when landing. The toggle rope was also issued to these specialized units (3); these could be used to pull items and be linked together to help climb over obstacles. The No. 82 Grenade, more commonly known as the Gammon Bomb (4), was not only used by members of The Parachute Regiment, but was invented by one of its officers, Capt. Jock Gammon of the 1st Parachute Battalion. Some Paras were issued Medical Research Council (MRC) body armour (5) during Operation Overlord, which was worn under the Denison smock. Made from manganese steel, MRC body armour consisted of three plates: chest, lower belly or ‘goolie’, and a rear plate that partially covered the lower back and kidneys. The body armour proved unpopular at the time as it caused chaffing and the wearer to sweat, and it was quickly discarded or swapped by the men.

 

The 'Test' Model

Admittedly i’m few days into this already, so i’ve made a lot of progress on my first ‘test’ model. So far i’ve worked out a scheme I am happy with, and have completed the Denison smock, webbing, equipment and trousers. Let me know what you think!

Para paint schemes - Denisons and all!

Colour Recipe

I find it invaluable to keep a record of what paint recipes I used for each project, so I can easily jump back in should other hobby temptations catch my eye. There’s nothing worse than forgetting how you painted an army when it’s only half done!

I’ve included the recipes for each part of the uniform for those interested for their own armies.

 

Denison Smock

Base: Green Ochre/Refractive Green/Saddle Brown

Shade: Chocolate Brown/Lhamian Medium

Deep Shade: Rhinox Hide

Highlight: Dark Sand/Lhamian medium Glaze

 

Webbing/Equipment

Base: Vallejo Khaki

Shade 1: Vallejo Khaki/Refractive green (1/1)

Shade 2: Vallejo Khaki/Refractive Green (1/2)

Shade 3: Chocolate Brown/Refractive Green (2/1)

Highlight 1: Vallejo Khaki

Edge Highlight: Vallejo Khaki/Ivory (1/2)

Mud Effect: Watered Down Beige Brown Applied to lower areas of packs

 

Toggle Rope

Base: Dark Sand

Shade: Agrax Earthshade

Highlight: Dark Sand

 

Trousers

Base: Beige Brown

Shade 1: Beige Brown/Olive Brown (1:1)

Shade 2: Olive Brown

Highlight: Beige Brown

Edge Highlight: Beige Brown/Khaki (2:1)

 

I use a ‘glazing’ technique. The basecoat  paint is applied using multiple layers of thin paint, before shading the recesses with a mix of paint and GW’s Lahmian Medium (with a bit of water added to make sure the mix is thin). I work the shadows out gradually, applying more shade to deeper recesses. This helps avoid shading every recess to the same degree, which would look unnatural. The highlights are then applied over the raised areas, and some key parts get an edge highlight after that.

Well that’s all for now, I’ll get back to finishing this first chap off. Let me know what you think!

Cheers all.

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