Celestial Painting Competition Week #3 Interview!
May 25, 2018 by dracs
We stop in with the judges that were picked by Beasts Of War to give their thoughts on the work by the artists who are taking part in the Celestial Painting Competition which is running this month.
We have a range of judges commenting on the work throughout the competition but for today we're back with an interview about things are going so far!
Here we have some of the work by a few of the competitors for you to check out. We're seeing some great tutorials, progress and more from this group...
For example, we got to see how Non-Metallic Metal works on some of the work by Aleksandra, and G'Gong is coming along superbly thanks to the work of Massimiliano!
Some people have also been going with some wild colours and they are looking awesome indeed!
Share Your Thoughts
So, that gives you some thoughts on the progress of the various painters right now. Make sure to get stuck into their group on Facebook HERE and tell the artists what you think of their work too as well as see the developments each week.
Which is your favourite project so far?
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Diego seems to be putting any fears to bed about the focal point of the piece now that he has had chance to work on the lighting. he has toned down the orange in the body a fair amount by reclaiming a portion before bringing the orange around the eye up high. amazingly rich colours throughout with lots of harmony between them. given that the tentacles are going to tie in to the base i think getting that orange right will be key given how high contrast it is compared to the rest.
The top half of the queen of the void by Enrique is extraordinary, lovely choice of colours and phenomenal execution. the queen of the void by Fabrizio was the stand out version, now i’m not so sure.
The Zhurong by Sergey has brought out all the sci fi in the sculpt and then he has only gone and added some of his own. incredibly imaginative with the sort of execution you dream about
Bold strong colour palettes look incredibly and have high visual impact, but these next two dance to an altogether different tune. moody and emotional. beautiful and subdued. more solo flute or soft whisper than trumpets and drums.
G’gong by Massimiliano is probably my favorite from what we’ve seen so far, although Francesco might have something to say about that.
high hopes for Ben’s piece, just not seen much yet.